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Cleopatra

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Private’s Cleopatra is the first of a pair of films about the ancient Egyptian beauty and lover of Roman emperors by porno arch stylist Antonio Adamo, although in this version her fondness for the snake is a bit more overt than in the Liz Taylor version. As usual with Adamo’s work, the production quality is tremendous, with lavish sets that wouldn’t have shamed the original film, which helps lend a sense of place and realism to all the hard fucking. This is the umpteenth film Private have set in ancient Egypt, which is starting to make me wonder if Private didn’t manage to get a cheap job lot of Egyptian movie props from somewhere.

The film opens with Julia Taylor’s sultry Cleopatra waiting in her bedchamber for Ceasar to come, see and conquer her, although not necessarily in that order. When Jules does show up, his noble image is rather blown by the fact his outfit is about two sizes too big, but that doesn’t matter because he doesn’t keep it on very long. The opening scene is pretty short, sweet and straightforward, but it’s well worth watching because of the gorgeous yellow lighting that makes the pair look like statues as Ceasar buries his cock in Cleo’s perfectly formed pussy.

The following scene sees Sandra Russo’s high priestess spying on her boss as she makes the beast with two backs with Ceasar, before getting buttonholed by Centurion Octavius (remember the name, we’ll be seeing him quite a lot) for a bit of scheming and plotting. As these things do, this soon leads to her being stripped down to her boots with a mouthful of Roman cock. Russo has a stunning body and gorgeous tits, so it’s a pleasure to watch her having every hole filled in turn by a hard cock.

Okay, this is where it starts getting confusing. Taylor and Russo look pretty similar to start with, and are dressed more or less identically, and are joined here by lookalike slaves Jessica May and Lucky in a scene optimistically entitled Roman Orgy. Still, it’s a great little scene as Cleo commands one of her slaves to lick her pussy, then bids Ceasar fuck her other slave, which he wastes no time in doing. The best bit is when Octavius turns up again, lifts Jessica May’s dress and tongues her pussy as she pleasures her queen.

The next scene sees Octavius back in Rome (he must be getting pretty tired with all that running around and shagging) telling Ceasar’s wife, played by Rita Faltoyano, that Ceasar wasn’t coming back. Figuring while the Emperor’s away she might as well have some fun, Ms Caesar soon has Octavius’ cock in her mouth, against the objections of one of her slaves. The slave in question sticks around to spy on the action, and inevitably the Empress is soon being fucked from both ends.

From this point onwards, things go a bit weird. Suddenly we’re not in ancient Egypt any more, but in 2003 in some weird narrative twist about cloning Cleopatra. But hey, this is porno; you didn’t expect a sensible story did you? Anyway, we soon end up with two of the scientists sitting about bored, and inevitably they soon end up tearing each other’s clothes off. Bobbi Eden’s alabaster skin looks stunning in scarlet lingerie, as she impales herself on her stud’s prick.

After a surprising amount more convoluted plot, we get the final scene. Investigating a lost tomb in the Egyptian desert, Bobbi Eden and her beau get nabbed by the Egyptian police, so to ‘distract’ the policeman she gives him the blowjob of a lifetime.

Cleopatra possibly isn’t the most adventurous or experimental of films, but what it does provide is believable characters, a selection of stars who look stunning while being fucked, and some amazingly sumptuous locations for them to fuck in. And hey, there’s some story thrown in, even if it doesn’t make a whole lot of sense. Ave Ceasar!

Cleopatra

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